This website is avaivable on mobile devices only.
Please open on your phone.

juliusesser.com

Distorted Dystopia describes a product world that draws on the visual elements and emotions of a dystopia. All objects attempt to convey a cold, unpleasant image in various ways. Both the color palette and materiality play with the dark and negative aspects often associated with a dystopia. Nevertheless, all products maintain an aesthetic appeal that lies at the intersection of unsettling and attractive.

D1 Chair is a chair reduced to its bare minimum in terms of geometry. It is adorned with pyramid foam commonly used in audio rooms, which may give the impression of a hard and uncomfortable seating surface at first glance. It explores the theme of repurposing and pleasantly surprises the user with its comfortable seating experience.

D2 Tray serves as a regular side table and employs support shoes typically used on construction sites for the foundational structures in house building. The combination of multiple support shoes allows for the easy assembly of tables in various sizes. All elements, including the table surface, feature a galvanized coating to minimize heat absorption into the objects.

D3 Table appears to be an ordinary wooden table with deliberately massive proportions. Upon closer inspection, a subtle yet significant incline becomes apparent, which somewhat limits its usability. The aesthetics of the object are inspired by a failed construction process. Screws and markings reminiscent of a classic shipping crate are incorporated into the design.

D4 Mirror is an intentionally distorted bending of a mirrored sheet. Visually, the creases are meant to resemble aluminum foil that has been crumpled and then opened again. The reflection capability of the object is limited, rendering its function as a regular mirror redundant. As a mirror, it loses its raison d'être, yet it strongly emphasizes the concept of a Distorted Dystopia.

D5 Vase [Blumenstrauß] is an arrangement of multiple individual vases. The proportions are chosen in a way that, in combination with the table, they mimic the imbalance of other objects. Each vase can only hold one flower, and it is only as a combination that they function as a flower bouquet. This design choice results in the unnecessary use of excess materials and resources for a single bouquet. Additionally, the vases can also serve as candleholders.